Gilles Deleuze and Moving Images

Abstract

The present issue of Cinema: Journal of Philosophy and the Moving Image was born in praise of the thirty years passed since Gilles Deleuze’s Cinema 1: The Movement-Image was published in 1983. With Cinema 2: The Time-Image (1985), they remain seminal works in the philosophy of cinema, film-philosophy, and in film studies in general. His thought on moving images occupies the centre of contemporary debates on cinema, video art, and visual culture, and informs central debates in metaphilosophy as well.