No. 6 (2014): Gilles Deleuze and Moving Images

View No. 6 (2014): Gilles Deleuze and Moving Images

Edited by Susana Viegas
DOI: https://doi.org/10.34619/p4bq-8a11

Published: 2014-12-31

Full Issue

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Editorial

Gilles Deleuze and Moving Images
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Articles

Cinema: The “Counter-Realization” of Philosophical Problems

Mirjam Schaub

17-29
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Visual Effects and Phenomenology of Perceptual Control

30-51
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Double-Deleuze: “Intelligent Materialism” Goes to the Movies

Bernd Herzogenrath

52-72
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Bringing the Past into the Present: West of the Tracks as a Deleuzian Time-Image

William Brown

73-93
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Thought-Images and the New as a Rarity: A Reevaluation of the Philosophical Implications of Deleuze’s Cinema Books

Jakob Nilsson

94-121
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Visions of the Intolerable: Deleuze on Ethical Images

Joseph Barker Barker

122-136
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Artaud Versus Kant: Annihilation of the Imagination in the Deleuze’s Philosophy of Cinema

Jurate Baranova

137-154
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Beyond the Crystal-image: Contributions towards the identification of a Third Synthesis of Time in Gilles Deleuze’s Cinema books

Nuno Carvalho

155-172
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Book Reviews

Ecologies of the Moving Image: Cinema, Affect, Nature

Niall Flynn Flynn

174-177
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Brutal Vision: The Neorealist Body in Postwar Italian Cinema

Adam Cottrel

178-181
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