No. 13 (2021): The Leftovers, Philosophy and Popular Culture

Edited by Susana Viegas 
DOI: https://doi.org/10.34619/l5ni-d6na

Published: 2021-12-20

Full Issue

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Introduction

• The Leftovers, Philosophy and Popular Culture

  7-20

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Articles

• Stay Broken: Nietzsche, Badiou, and The Leftovers’ Nihilism

  Patrick O’Connor

  22-40

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• We will not recover from Scepticism unless we aim to the Existential: Emotional Engagement and Popular Music in The Leftovers

  Enric Burgos

  41-60

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• When the Cement of the Universe Breaks Apart. Hume, Causality, and The Leftovers

  Enrico Terrone

  61-71

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• “We’re All Gone”: A Postsecular Account of The Leftovers’ Traumatic Existentialism as ‘Religious Ground Zero’

  Ilaria Biano

  72-81

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• Time, Grief, and Grace: A Bachelardian Interpretation of Nora’s Journey

  Michael Granado

  82-92

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• The End of the World: Confusion in The Leftovers

  Keith Dromm

  93-105

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Book Reviews

• Immanent Frames. Postsecular Cinema between Malick and Von Trier

  Maria Irene Aparício

  107-113

  • PDF (Português (Portugal))

• Falso Movimento. Ensaios Sobre Escrita e Cinema

  Alexandre Nascimento Braga Teixeira

  114-117

  • PDF (Português (Portugal))

• Funny How: Sketch Comedy and the Art of Humor

  Diego Hoefel

  118-121

  • PDF (Português (Portugal))

• Poetics of Slow Cinema: Nostalgia, Absurdism, Boredom

  Manuel Oliveira

  122-126

  • PDF (Português (Portugal))

• Body Images in the Post-Cinematic Scenario: The Digitization of Bodies

  Philipp Teuchmann

  127-132

  • PDF (Português (Portugal))

• Silent Cinema: A Guide to Study, Research and Curatorship

  Sofia Sampaio

  133-137

  • PDF (Português (Portugal))

Conference Reports

• The Conference as Zoo(m) (Exagium in Memoriam Eileen Rositzka)

  William Brown

  139-145

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