Recensões

As recensões de livros são analisadas pelo conselho editorial e pela editora da secção, Maria Irene Aparício. Informações sobre o acesso aos livros disponíveis poderão ser solicitadas através do e-mail cinema.book.editor@gmail.com.

As recensões devem ser enviadas para cinema.book.editor@gmail.com

Os editores e autores interessados em disponibilizar as suas obras para recensão podem contactar a Editora da Secção através do mesmo email: cinema.book.editor@gmail.com.

Próximo deadline para o envio de recensões: 15 de Setembro de 2025

Alguns livros disponíveis para recensão:

A Critical Companion to Stanley Kubrick Edited by Elsa Colombani (London: Lexington Books, 2020, 284 pp).

Animated the Spirited. Journeys and Transformations Edited by Tze-yue G. Hu, Masao Yokota and Gyongyi Horvath (University Press of Mississippi, 2020).

On Women`s Films Across Worlds and Generations Edited by Ivone Margulies and Jeremi Szaniawski (New York and London: Bloomsbury Academic, 2019, 397 pp.).

A Critical Companion to James Cameron Edited by Adam Barkman and Antonio Sanna (Lanham, Boulder, New York, London: Lexington Books, 2019, 220 pp.)

The Films of Lenny Abrahamson. A Filmmaking of Philosophy by Barry Monahan (New York and London: Bloomsbury Academic, 2018, 234 pp.)

Sensuous Cinema. The Body in Contemporary Maghrebi Film by Kaya Dvies Hayon (New York and London: Bloomsbury Academic, 2018, 181 pp.)

Lars von Trier`s Renewal of Film 1984-2014 by Bodil Marie Stavning Thomsen (Aarhus: Aarhus University Press | Oxbow Books Ltd, 2018, 363 pp.)

Dancing with the Nation. Courtesans in Bombay Cinema by Ruth Vanita (New York and London: Bloomsbury, 2018, 2017 pp).

Seeing into Screens. Eye Tracking and the Moving Image Edited by Tessa Dwyer, Claire Perkins, Sean Redmond and Jodi Sita (New York: Bloomsbury, 2018, 275 pp.)

Mythopoetic Cinema: On the Ruins of European Identity by Kriss Ravetto-Biagiolli (New York: Columbia University Press, 2017, 314 pp.)

Nocturnal Fabulations. Ecology, Vitality and Opacity in the Cinema of Apichatpong Weerasethakul by Érik Bordeleau, Toni Pape, Ronald Rose-Antoinette and Adam Szymanski (London: Open Humanitiies Press, 2017, 149 pp.)

Movement as Meaning in Experimental Cinema by Daniel Barnett (New York: Bloomsbury Academic, 2017, 323 pp.)

Playable Bodies. Dance Games and Intimate Media by Kiri Miller (New York: Oxford UNiversity Press, 2017, 237 pp.)

Speaking Pictures. Neuropsychoanalysis and authorship in Film and Literature by Alistair Fox (Bloomington: Indiana University Press, 2016, 292 pp.)

Carceral Fantasies. Cinema and Prison in Early Twentieth-Century America by Alison Griffiths (New York: Columbia University Press, 2016, 440 pp.)

The Grace of Destruction. A Vital Ethology of Extreme Cinemas by Elena del Río (New York and London: Bloomsbury Academic, 2016, 267 pp.).

Maghrebs in Motion. North African Cinema in Nine Movements by Suzanne Gauch (New York: Oxford University Press, 2016, 234 pp.)

Bodies in Pain. Emotion and the Cinema of Darren Aronofsky by Tarja Laine (New York and Oxford: Berghahn Books, 2015, 184 pp.)

The Moving Image and the Assamese Culture. Joymoti, Jyotiprasad Agarwala, and Assamese Cinema by Bobbeeta Sharma (New Delhi: Oxford University Press, 2014, 184 pp.).

Postcolonial Theory and Avatar by Gautam Basu Thakur (London: Bloomsbury, 2016, 195 pp.)

Outside the Lettered City. Cinema, Modernity, and the Public Sphere in Late Colonial India by Manishita Dass (Oxford: Oxford University Press, 2016, 229 pp)

Skepticism Films: Knowing and Doubting the World in Contemporary Cinema by Philipp Schmerheim (New York: Bloomsbury, 2016, 335 pp)

Darren Aronofsky`s Films and the Fragility of Hope by Jadranka Skorin-Kapov (New York: Bloomsbury, 2016, 183 pp)

Klein, Sartre and Imagination in the Films of Ingmar Bergman by Dan Williams (New York: Palgrave Macmillan, 2015, 236 pp.)

Latin Hitchcock. How Almodóvar, Amenábar, De la Iglesia, Del Toro and Campanella became Notorious by Dona M. Kercher (London & New York: Wallflower Press / Columbia University Press, 2015, 384 pp.).

Afterlifes. Allegories of Film and Mortality in Early Weimar Cinema by Steve Choe (Oxford and New York: Oxford University Press, 2014).

Cinepoetry. Imaginary Cinemas in French Poetry by Christophe Wall-Romana (New York: Fordham University Press, 2013).

In nome della legge: la giustizia nel cinema italiano de Guido Vitiello (Org.) (Editore Rubbetino 2013).

Les Titres de Film. Économie et évolution du titre de film français depuis 1969 de Noëlle Rouxel-Cubberly (Michel Houdiard Éditeur, 2011).