No. 10 (2018): Painting, Moving Images and Philosophy

View No. 10 (2018): Painting, Moving Images and Philosophy

Edited by Susana Viegas and James Williams
DOI: https://doi.org/110.34619/cady-xm69

Published: 2018-12-30

Full Issue

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Articles

Painting at the Beginning of Time: Deleuze on the Image of Time in Francis Bacon and Modern Cinema

David Benjamin Johnson

10-26
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“Each Single Gesture Becomes a Destiny”: Gesturality between Cinema and Painting in Raúl Ruiz’s L’hypothèse du Tableau Volé

Greg Hinks

27-42
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Whither the Sign: Mohammed Khadda in Assia Djebar’s La Nouba des Femmes du Mont Chenoua

Natasha Marie Llorens

43-63
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Manet and Godard: Perception and History in Histoire(s) du Cinéma

Pablo Gonzalez Ramalho

64-96
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A Work of Chaos: Gianluigi Toccafondo’s Animated Paintings

Paulo Viveiros

97-110
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Ill Seen, Ill Said: The Deleuzian Stutter Meets the Stroop Effect in Diana Thater’s Colorvision Series (2016)

Colin Gardner

111-128
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Blue Residue: Painterly Melancholia and Chromatic Dingnity in the Films of David Lynch

Ed Cameron

129-149
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Interviews

The Derivative Image: Historical Implications of the Computational Mode of Production

Susana Nascimento Duarte

151-164
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Book Reviews

Acinemas: Lyotard’s Philosophy of Film

Brian Thomas Walker

166-169
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Pedro Costa

Susana Viegas

170-173
- PDF (Português (Portugal))
The Philosophical Hitchcock: Vertigo and the Anxieties of Unknowingness

Paolo Stellino

174-178
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Philippe Grandrieux: Sonic Cinema

Arzu Karaduman

179-182
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The Cinema of Poetry

Maria Irene Aparício

183-188
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Animation Cinema Workshop: From Motion to Emotion

Catarina Calvinho Gil

189-192
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Art History for Filmmakers: The Art of Visual Storytelling

Maria Irene Aparício

193-97
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Conference Reports

Notes on Creative Practice Research in the Age of Neoliberal Hopelessness,University of Bedfordshire, UK

William Brown

199-218
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