N.º 10 (2018): Pintura, Imagens em Movimento e Filosofia

Editado por Susana Viegas e James Williams
DOI: https://doi.org/110.34619/cady-xm69

Publicado: 2018-12-30

Número Completo

• PDF (English)

Artigos

• Painting at the Beginning of Time: Deleuze on the Image of Time in Francis Bacon and Modern Cinema

  David Benjamin Johnson

  10-26

  • PDF (English)

• “Each Single Gesture Becomes a Destiny”: Gesturality between Cinema and Painting in Raúl Ruiz’s L’hypothèse du Tableau Volé

  Greg Hinks

  27-42

  • PDF (English)

• Whither the Sign: Mohammed Khadda in Assia Djebar’s La Nouba des Femmes du Mont Chenoua

  Natasha Marie Llorens

  43-63

  • PDF (English)

• Manet and Godard: Perception and History in Histoire(s) du Cinéma

  Pablo Gonzalez Ramalho

  64-96

  • PDF (English)

• A Work of Chaos: Gianluigi Toccafondo’s Animated Paintings

  Paulo Viveiros

  97-110

  • PDF (English)

• Ill Seen, Ill Said: The Deleuzian Stutter Meets the Stroop Effect in Diana Thater’s Colorvision Series (2016)

  Colin Gardner

  111-128

  • PDF (English)

• Blue Residue: Painterly Melancholia and Chromatic Dingnity in the Films of David Lynch

  Ed Cameron

  129-149

  • PDF (English)

Entrevistas

• The Derivative Image: Historical Implications of the Computational Mode of Production

  Susana Nascimento Duarte

  151-164

  • PDF (English)

Recensões

• Acinemas: Lyotard’s Philosophy of Film

  Brian Thomas Walker

  166-169

  • PDF (English)

• Pedro Costa

  Susana Viegas

  170-173

  • PDF

• The Philosophical Hitchcock: Vertigo and the Anxieties of Unknowingness

  Paolo Stellino

  174-178

  • PDF (English)

• Philippe Grandrieux: Sonic Cinema

  Arzu Karaduman

  179-182

  • PDF (English)

• The Cinema of Poetry

  Maria Irene Aparício

  183-188

  • PDF (English)

• Animation Cinema Workshop: From Motion to Emotion

  Catarina Calvinho Gil

  189-192

  • PDF (English)

• Art History for Filmmakers: The Art of Visual Storytelling

  Maria Irene Aparício

  193-97

  • PDF (English)

Relat´órios de Conferências

• Notes on Creative Practice Research in the Age of Neoliberal Hopelessness,University of Bedfordshire, UK

  William Brown

  199-218

  • PDF (English)